From 2c680160a0c5f9b106607080c086e2244036e264 Mon Sep 17 00:00:00 2001 From: Ben Yoo Date: Sun, 21 Apr 2024 01:29:14 -0500 Subject: [PATCH] Fixed #3855 --- guide/README.md | 20 ++++++++++++++------ 1 file changed, 14 insertions(+), 6 deletions(-) diff --git a/guide/README.md b/guide/README.md index fa801e85dc..d11e5da173 100644 --- a/guide/README.md +++ b/guide/README.md @@ -31,8 +31,8 @@ This guide details the many musical features of the language. 1. [Actions](#31-actions) 2. [Pitch Transformations](#32-pitch-transformations) 1. [Step Pitch Block](#321-step-pitch-block) - 2. [Sharps and Flats](#322-sharps-and-flats) - 1. [Double Sharps and Flats](#3221-double-sharps-and-flats) + 7. [Sharps and Flats](#322-sharps-and-flats) + 1. [Double Sharps and Flats](#3221-double-sharps-and-flats) 3. [Adjusting Transposition](#323-adjusting-transposition) 4. [Summary of Pitch Movements](#324-summary-of-pitch-movements) 5. [Set Key](#325-set-key) @@ -373,15 +373,23 @@ or double-flat accidental.) #### 3.2.2.1 Double Sharps And Flats -aaaaaaaaaaaaaaaaaaabbbbbbbbbbbbbb +Double sharps and flats, although not very common, are used in music +notation to accurately represent pitches that are altered by two +semitones. They arise in compositions that explore chromaticism, +modulations to distant keys, or non-traditional scales where such +alterations are necessary for harmonic or melodic purposes. Double +sharps and flats help maintain the correct intervals, ensuring +precise notation and clarity of musical expression. ![double sharp and flat](./transform1.1.png "Using Double Sharp and Flat blocks") -![la campanella](./transform1.1.png "La Campanella - Liszt") +![la campanella](./transform1.2png "La Campanella - Liszt") -![mikrokosmos](./transform1.1.png "Mikrokosmos V Nr. 131 - Bartók") +![mikrokosmos](./transform1.3.png "Mikrokosmos V Nr. 131 - Bartók") -Description here +The example on the left shows how to play the double sharp as played in +measure 6 of Liszt's La Campanella. The example on the right shows how to +play the double flat harmony in measure 6 of Bartók's Mikrkosmos V, Nr. 131. #### 3.2.3 Adjusting Transposition